Tip: Preview Kore, Reaktor Effects in Winamp; Mac Solutions, Too

I’ve been using the Winamp-VST Bridge plug-in on PC to browse and preview large collections of sample source material. (Ed.: Winamp is the fantastic music player software for Windows, predating — and arguably, better than — iTunes. -PK) It’s great for testing out how things will sound when run through an effect without having to laboriously convert, slice and import files into a sample map.

Here it is running some audio, which I recorded on a Zoom H4 handheld recorder, into the granular delay we’ve been constructing here at Noisepages. If you’re like me and you have folder after folder of field recordings and vinyl samples, this is a super fast way to sift through them to find those golden moments where a combination of a sample and an effect become something new and exciting. Throw things against the wall and see what sticks, quickly and easily - primarily because of things like right clicking on a folder and choosing “enqueue/play in Winamp”, being able to skip around in a file quickly, navigate a playlist, save a playlist of favorites - all without having to worry about file formats. A “real” host is for later, once you have a goal or direction in mind. You can even browse shoutcast mp3 radio streams through your VST effects.

64-Bit Kontakt is Coming to Mac, Windows; Ready for 128GB RAM?

Samplers like Kontakt are capable of streaming from disk, but when it comes to loading from (faster) RAM, standard 32-bit memory addressing on Mac and Windows restricts them to about 2-4 GB of memory. That’s about to change for Kontakt users, with the free update to Kontakt 3.1 with 64-bit support in the works. You’ll need Mac OS X Leopard or 64-bit Windows to run it, but if you choose to put more gigs of RAM, Kontakt will be able to use a lot more memory. In case you missed the announcement, I covered this yesterday for CDM:

Kontakt 3 Free 64-bit Upgrade Soon on Mac, Windows

I’m working on getting some other details. For instance, at the moment, no hosts on Mac support 64-bit, so presumably you’d have to either wait for that to change or run Kontakt standalone. On Windows, you have to boot the 64-bit operating system, you need 64-bit drivers, and you again need a 64-bit host, like Cakewalk’s SONAR.

That said, let me ask it another way — show of hands. Who here wants more RAM? Do you use big sample libraries that require it? Anyone already running 64-bit SONAR / Windows?

I’m also talking to NI and wrapping up a story I’ve been working on regarding 64-bit and memory. Got questions you want answered? Stuff that confuses you? I’m happy to pass it along and share what I learn!

(Geek-only side note: I’m also curious if the Windows emulation that allows Kontakt to run on Linux, as it does on the Muse Receptor, will do 64-bit. The ASIO drivers for the WINE compatibility layer on Linux is presently 32-bit only.)

Kontakt Scripting Resources

Nils Liberg maintains a fantastic resource of Kontakt scripts, a tutorial and even a free/donationware programmer-oriented script editor that comes in Windows and OS X flavors.

black_bass_script.jpg

Nils is behind the script that powers the Scarbee Black Bass instrument, and his scripts are mainly geared towards creating realistic instrument emulations. If that’s not your cup of tea, a few of the scripts look ripe for experimentation, like the MIDI filter and the FX morph.

midifilter_screenshot.jpg

These were written for Kontakt 2 - I haven’t tested them all but the MIDI filter and FX morph load up fine in K3. I think they’d be great starting points for taking things even further… hmmm, I wonder if I could hack the FX morph to use four instead of two presets and fade between them with a 2D control surface…

New Soundpacks: Multi Effects, FM8 Synth Sounds

The the two soundpacks I’ve been most excited about became available today. FM8 Transient Attacks is a new set of 200 synth sounds for FM8 and Kore’s morphing powers, and Deep Transformations is a multi-effects sound shaper. I’ve been looking forward to Deep Transformations in particular, as it takes the soundpack series in a new direction – not only to instrument presets, but with an eye toward making Kore an effects workstation.